He did his thesis on dub techno. He creates video masterpieces. Check it out!
Genius
Unique
Experimental ambient
Wish they were Ableton focused rather than FL Studio.
I’m increasingly less interested in making tracks and more interested in documenting a life.
Most modern production advice assumes music is built like a product: define a goal, optimize the workflow, refine the result. Useful enough, maybe. But the music that stays with me feels more like a memory than an achievement.
So my process has become a form of journaling. Music as blog.
I collect fragments: old jazz records, favorite and nostalgic tracks, degraded guitar loops, field recordings, overheard conversations, books, strange photographs, half-forgotten dreams, cities, obsessions, periods of uncertainty. Small artifacts from ordinary life. Then I let them sit together long enough to begin speaking to each other.
I trust accidents more than formulas. Mood more than technical correctness. I trust the strange moments when machines and memory begin blurring together.
Each release feels less like a statement and more like a timestamp. A note left behind saying: this is what the world felt like from where I was standing.
Years later, I hope I can listen back and hear not just songs.
And, leave a time capsule for my family in friends and hope that a giant EMF event doesn’t erase my legacy.
—- By Dave Wesley with some help from AI.
The Core Signal Philosophy (don’t skip this)
You’re not mixing clean → you’re sculpting decay + harmonic memory
Color should accumulate across buses, not live only on channels
Always leave one layer untouched/clean so the chaos has contrast